Oktober
| Do. 01 | | Brazil Unfiltered: Cabra Marcado Para Morrer |
| Vr. 02 | | Ménilmontant + live score by Kadavergraver + foyer party by Machine Cult Amsterdam |
| Zo. 04 | | Azart – Come Make Art |
| Do. 08 | | Brazil Unfiltered: Ouvidor |
| Vr. 09 | | Can you hear the objects speak? |
| Zo. 11 | | Un lugar más grande |
| Do. 15 | | Brazil Unfiltered: Ex-Shaman |
| Vr. 16 | | Cavia in Concert: Le Révélateur with live score by Sasha Sykes |
| Vr. 16 | | The Summer with Carmen |
| Za. 17 | | Creative Resistance in Myanmar Fundraising Screening |
| Za. 17 | | Brazil Unfiltered: The Territory |
| Zo. 18 | | Heavy |
| Do. 22 | | Time of the Gypsies |
| Vr. 23 | | Brazil Unfiltered: Piripkura |
| Za. 24 | | Kissable Screens: Looking Back – by Porn Film Festival Amsterdam |
| Do. 29 | | Final Girls Berlin Film Fest – Best of 2026 shorts |
| Vr. 30 | | Les Feuilles Mortes: L'Amour à la Mer |
| Za. 31 | | Brazil Unfiltered closing event: Food, Community & Ecological Resistance |
Donderdag 1 oktober, 20:00
DOCU
Brazil Unfiltered
Cabra Marcado Para Morrer (Man Marked for Death, 20 Years Later)
Eduardo Coutinho | 1984 | Brazil | 119’ | EN subtitles
EN Listed by the Brazilian Academy as one of the 5 best Brazilian films of all time, Cabra Marcado Para Morrer (Man Marked for Death, 20 Years Later) is a sort of meta-film, with its production interrupted by twenty years of brutal military dictatorship. The film was originally conceived as a fiction based on the true story of João Pedro Teixeira, a peasant leader executed in 1962 by large landowners in rural Pernambuco. His wife, Elizabeth, was to play herself, alongside other villagers who also acted in the film. During shooting in April 1964, the set was stormed by the military, who arrested many crew members and confiscated most of the materials. Twenty years later, the filmmaker returned to the location to meet the survivors, including Elizabeth, and document what had since happened to them and their families. The documentary stands as a powerful testimony to a dark period in Brazilian contemporary history that should never be repeated.
Brazil Unfiltered comes back from 1 to 31 October with a special curation of documentary films to contextualise the presidential elections taking place in Brazil this month. Centred around territorial struggles and the frontlines of resistance, the programme starts with a masterpiece from the late Eduardo Coutinho, followed by a bonus screening, a sequence of 3 films set in the Amazon, and a closure event + screening about climate resilience and ecological farming.
Vrijdag 2 oktober, 21:00
SPECIAL
Ménilmontant with live score by Kadavergraver
+ foyer party by Machine Cult Amsterdam
Dimitri Kirsanoff | 1926 | France | 38’ | silent, no language with live score
NL Ménilmontant (1926) van Dimitri Kirsanoff is een zelden verteld verhaal over twee zussen; een eigenaardige stille film zonder tussentitels, waarin het verhaal uitsluitend wordt verteld aan de hand van gezichten, gebaren, snelle montages en gefragmenteerde beelden van de vooroorlogse sloppenwijken van Parijs. Tijdens deze vertoning voert de in Amsterdam gevestigde live-elektronica-act Kadavergraver in realtime een nieuw gecomponeerde soundtrack uit. Na afloop wordt de foyer de setting van een feestje geprogrammeerd door Machine Cult Amsterdam, met sets van Déandrah en Garçon Taupe. MEER→
EN Dimitri Kirsanoff’s Ménilmontant (1926) is a rarely told tale of two sisters; a peculiar silent film without intertitles that tells the narrative instead relying solely on faces, gestures, rapid montages and fractured images of Paris’ pre-war slums. For this screening, Amsterdam-based live electronic act Kadavergraver performs a newly created score in real time. Afterwards our foyer becomes the setting for a party programmed by Machine Cult Amsterdam, with sets by Déandrah and Garçon Taupe. MORE→
Zondag 4 oktober, 20:30
DOCU
Azart – Come Make Art + Q&A
Masha Novikova & Annike Kaljouw | 2023 | NL | 83’ | EN subtitles
NL Deze documentaire vertelt over de kleurrijke en vrolijke geschiedenis van het Amsterdamse narrenschip Azart, ofwel Ship of Fools, dat ruim 30 jaar over de wereld voer om theater, vreugde en dwaasheid te brengen. Met aan het roer de bedenker van dit varend kunstwerk: kapitein en acteur August Dirks, die ruim 30 jaar op de Azart woonde en werkte. Het Amsterdamse Azartplein is genoemd naar deze zottenschuit. Kapitein August wilde de VOC-route varen, zei hij, maar dan wel op een andere manier. “Niet om te stelen en te kelen, maar om te spelen en te delen.” Inmiddels gestrand – letterlijk – op een Zuid-Amerikaans strandje, waar het wonderlijke verhaal nog altijd verder gaat, onder leiding van een lokale theatergroep.
De filmmakers zullen aanwezig zijn en na de vertoning zal er een online Q&A plaatsvinden met August. Het fotoboek AZART De Blauwe Schuit, filmposters en meer zullen deze avond te koop zijn.
EN This documentary tells about the colorful and cheerful history of the Amsterdam Ship of Fools, which sailed around the world for more than 30 years to bring theatre, joy and folly. At the helm is the creator of this sailing work of art: captain and actor August Dirks, who lived and worked on the Azart for more than 30 years. Amsterdam's Azartplein is named after this fool's boat. Captain August wanted to sail the VOC route, he said, but in a different way. “Not to steal and kill, but to play and share.” Now stranded – literally – on a South American beach, where the wonderful story continues, led by a local theater group.
The filmmakers will be in attendance, and there will be an online Q&A with August after the screening. The photo book AZART De Blauwe Schuit, film posters and more will be for sale this evening.
Donderdag 8 oktober, 20:00
DOCU
Brazil Unfiltered
Ouvidor
Matias Borgström | 2023 | Brazil | 74’ | EN subtitles
NL Bonusvertoning: vanwege de enorme interesse eerder dit jaar vertonen we Ouvidor opnieuw.
In Ouvidor, het grootste kunstkraakpand van Latijns Amerika, leven 120 kunstenaars uit verschillende landen samen in een levendige micromaatschappij in São Paulo, waar elk van de 13 verdiepingen functioneert als een aparte wijk die gewijd is aan een andere vorm van artistieke expressie. Terwijl ze zich verzetten tegen voortdurende dreigingen van uitzetting door de Braziliaanse regering met fascistische neigingen, worden de interne spanningen aangewakkerd door de sponsoring van hun Art Biennial door Red Bull.
EN Bonus screening: due to the massive attendance in April 2026, we will screen Ouvidor again.
In Ouvidor, the largest art squat in Latin America, 120 artists from various countries coexist in a vibrant micro-society in São Paulo, where each of the 13 floors functions like a distinct neighborhood dedicated to a different form of artistic expression. As they resist constant eviction threats from a government with fascist tendencies in Brazil, internal tensions are fueled by Red Bull’s sponsorship of their Art Biennial.
Brazil Unfiltered comes back from 1 to 31 October with a special curation of documentary films to contextualise the presidential elections taking place in Brazil this month. Centred around territorial struggles and the frontlines of resistance, the programme starts with a masterpiece from the late Eduardo Coutinho, followed by a bonus screening, a sequence of 3 films set in the Amazon, and a closure event + screening about climate resilience and ecological farming.
Vrijdag 9 oktober, 20:30
SPECIAL
Can you hear the objects speak?
Workshop + film screening + performance
EN A special evening curated by LI Yuchen from Asian Movie Night (NL) in collaboration with WYSIWYG (Den Haag, NL) and in conversation with Indeks Collective (Badung, ID).
Through film, conversation, and performance, we will listen to the voices of ancestral beings held hostage in museums, mineral stones extracted for AI technology, as well as the ghostly presence in the streets of Amsterdam built by looted wealth. MORE→
Zondag 11 oktober, 20:00
DOCU
Un lugar más grande (A Bigger Place) + Q&A
Nicolas Défossé | 2025 | México | 115' | EN subtitles
NL Chiapas, Zuidoost-Mexico. Wanneer de bewoners van Tila en omliggende dorpen het gemeentehuis en de politie uit hun gebied verdrijven, staan ze voor de uitdaging om zelfbestuur in de praktijk te brengen. Un lugar más grande (A Bigger Place) verkent de dagelijkse opbouw van autonomie en onthult een breed samenspel van mensen, generaties, geesten en landschappen, evenals nooit eerder getoond beeldmateriaal. De film dompelt ons onder in de kern van een collectief proces, waarin zelfbestuur een verantwoordelijkheid wordt ten opzichte van jezelf en anderen. Een op de zapatisten geïnspireerd avontuur op Ch'ol-Maya-grondgebied.
De regisseur is aanwezig bij de vertoning om met het publiek in gesprek te gaan en vragen te beantwoorden nadat de aftiteling is afgelopen.
EN Chiapas, southeastern Mexico. When the people of Tila and neighboring villages run the town hall and police out of their territory, they face the challenge of exercising self-governance. Un lugar más grande (A Bigger Place) explores the day-to-day construction of autonomy, revealing a broad interweaving of people, generations, spirits and landscapes, as well as previously unseen images. It plunges us into the heart of a collective process, where self-governance becomes a responsibility towards oneself and others. A Zapatista-inspired adventure in Ch'ol Mayan territory.
The director will be present at the screening to talk with the audience and answer their questions after the credits finish rolling.
Donderdag 15 oktober, 20:00
DOCU
Brazil Unfiltered
Ex-Shaman
Luiz Bolognesi | 2018 | Brazil | 81’ | EN subtitles
EN Ex-Shaman is a non-romanticised portrait of the indigenous experience and resilience in contemporary times. Perpera lived in the forest without contact with white people until he was 20 years old. He was a powerful man of the Paiter Suruí people until contact with white men in 1969. Nowadays, illness is a risk for a community increasingly unable to isolate itself from the modernisation brought by white people and the power of the evangelical church.
After being accused by an evangelical pastor of being in league with the Devil, he is forced to become a doorman at the Evangelical church, renouncing his powers as a shaman. However, this mission, commanded by the intolerant pastor, is put to the test when someone from the village witnesses death firsthand, and the indigenous man's sensitivity to the spirits of the forest proves indispensable.
Brazil Unfiltered comes back from 1 to 31 October with a special curation of documentary films to contextualise the presidential elections taking place in Brazil this month. Centred around territorial struggles and the frontlines of resistance, the programme starts with a masterpiece from the late Eduardo Coutinho, followed by a bonus screening, a sequence of 3 films set in the Amazon, and a closure event + screening about climate resilience and ecological farming.
Vrijdag 16 oktober, 20:00
SPECIAL
Cavia in Concert at Nassaukerk
Le Révélateur with live score by Sasha Sykes
Philippe Garrel | 1968 | France | 67’ | no dialogue
NL We zijn erg blij te kunnen aankondigen dat Cavia in Concert terugkeert naar de prachtige zaal van de Nassaukerk voor weer een uniek muziekoptreden, georganiseerd door Filmhuis Cavia in samenwerking met Podium Nassau. We openen het nieuwe seizoen met de iconische film Le Révélateur van de aan de Franse nouvelle vague gelieerde regisseur Philippe Garrel. De film zal begeleid worden door de geïmproviseerde, dromerige soundscapes van Sasha Sykes. MEER→
EN We are very happy to announce that Cavia in Concert is back to the amazing hall of the Nassaukerk for another unique music performance, brought to you by Filmhuis Cavia in collaboration with Podium Nassau. We start the new season by bringing to you the iconic Le Révélateur by French New Wave affiliated director Philippe Garrel accompanied by Sasha Sykes’s improvised, dreamlike soundscapes. The film will be accompanied by Sasha Sykes’s improvised, dreamlike soundscapes. MORE→
Vrijdag 16 oktober, 20:30
CONTEMPORARY
The Summer with Carmen
Zacharias Mavroeidis | 2023 | Greece | 106’ | EN subtitles
EN While enjoying a day at Athens’ queer beach, 30-something Demosthenes offers to help his bestie and aspiring filmmaker Nikitas in drafting an idea for his feature debut, inspired by the events surrounding a certain dog named Carmen. Two summers ago, Demosthenes was stuck in Athens dealing with health issues of his father. This served as an excuse to reach out to his ex, Panos. Meanwhile, Panos got the overly cute Carmen, something he soon regretted. Likewise, Demosthenes seems to have regretted breaking up with Panos. Or did he not? Struggling to transform real events into a hero’s journey, the two friends question the no.1 rule of script writing theory – the hero that changes – while turning a page in their long-lasting friendship.
Zaterdag 17 oktober, 15:00
DOCU
Fundraising Screening
Creative Resistance in Myanmar
Various | 100’ | EN subtitles
NL We nodigen je van harte uit voor deze speciale vertoning van drie documentaires, waarin de vaak creatieve vormen van verzet centraal staan die de bevolking van Myanmar heeft getoond sinds de militaire staatsgreep van 1 februari 2021. Maaike Matelski, onderzoeker op het gebied van Myanmar aan de Vrije Universiteit Amsterdam, en leden van de Myanmarese diaspora zullen aanwezig zijn om de films toe te lichten en vragen te beantwoorden. MEER→
EN We invite you to join us on this special screening of three documentaries showcasing the often creative forms of resistance that the people of Myanmar have demonstrated since the military coup of 1 February 2021. Maaike Matelski, researcher on Myanmar at Vrije Universiteit Amsterdam, and members of the Myanmar diaspora will be present to comment on the films and answer questions. MORE→
Entrance: Donation-based
(Cineville not valid)
Zaterdag 17 oktober, 20:00
DOCU
Brazil Unfiltered
The Territory
Alex Pritz | 2022 | Brazil, Denmark, USA | 85’ | EN subtitles
EN The Territory provides an immersive on-the-ground look at the tireless fight of the Uru-eu-wau-wau people against the encroaching deforestation brought by farmers and illegal settlers in the Brazilian Amazon. With awe-inspiring cinematography showcasing the titular landscape and richly textured sound design, the film takes audiences deep into the Uru-eu-wau-wau community and provides unprecedented access to the farmers and settlers illegally burning and clearing the protected Indigenous land.
Partially shot by the Uru-eu-wau-wau people, the film relies on footage captured over three years as the community risks their lives to set up their own news media team in the hopes of exposing the truth.
Brazil Unfiltered comes back from 1 to 31 October with a special curation of documentary films to contextualise the presidential elections taking place in Brazil this month. Centred around territorial struggles and the frontlines of resistance, the programme starts with a masterpiece from the late Eduardo Coutinho, followed by a bonus screening, a sequence of 3 films set in the Amazon, and a closure event + screening about climate resilience and ecological farming.
Zondag 18 oktober, 20:30
CONTEMPORARY
Première
Heavy
Max Rothman | 2026 | USA | 110’ | no dialogue
NL In een idyllisch Amerikaans stadje kijkt de natuur ambivalent toe hoe een naamloze man een moord pleegt. Hij voert de alledaagse handelingen uit die nodig zijn om zijn misdaad te verbergen en verliest bij elke stap het contact met zijn eigen menselijkheid. Verteld in slechts 44 shots zonder dialoog, onderzoekt Heavy de dehumanisering die plaatsvindt wanneer iemand zichzelf verdooft om kwaadaardige daden te rechtvaardigen, en de gebruikelijke rationalisatie die de samenleving in staat stelt een pad van kwaadaardigheid te blijven bewandelen in naam van zelfbehoud.
Dit is de bioscooppremière van de film, en de regisseur is aanwezig. Mis het niet!
EN In a bucolic American town, nature watches ambivalently as an unnamed man commits a murder. He goes through the mundane tasks necessary to cover up his crime, and with each step loses connection with his own humanity. Told in just 44 shots with no on-screen dialogue, Heavy is an examination of the dehumanization that takes place when someone numbs themselves into justifying evil actions, and the habitual rationalization that allows society to continue down a path of malevolence in the name of self-preservation.
This is the theatrical premiere of the film, with the director present! Don’t miss it!
Donderdag 22 oktober, 20:30
CLASSIC
Time of the Gypsies
Emir Kusturica | 1988 | Italy, UK, Yugoslavia | 142’ | EN subtitles
EN Inspired by a newspaper article on child smuggling rings in the 1980s, Kustorica crafted this story with his traditional trace of magical realism and mysticism, to create an extraordinary epic. Follow Perhan, a young Romani teenager with telekinetic powers, as he is seduced by the promised of Ahmed, a wealthy but shady figure who promises to take care of Perhan’s sister’s medical treatment if they join him to Italy. Lured into the elder’s corrupt surroundings, Perhan sets out to lose everything.
Considered to be one of Kustorica’s best films, and earning him the award for best director at the 1989 Cannes Film Festival, the film was filmed between Sarajevo, Skopje and Milan, and features extensive use of the Romani language. The original soundtrack was composed by Goran Bregović, as one of the many instances of collaboration between the two artists.
Vrijdag 23 oktober, 20:00
DOCU
Brazil Unfiltered
Piripkura
Renata Terra, Mariana Oliva, Bruno Jorge | 2017 | Brazil | 81’ | EN subtitles
EN Piripkura is the chronicle of an expedition in the Amazonian habitat of the nomadic Piripkura ethnic group’s last remaining members, who can only have their territory protected if there is proof they are still living there. Two of only three of them are known to still live in this area. Every two years, a team of governmental workers trek into the jungle for weeks in search of them. Their most important possession is a torch that was lit in 1998 and has remained so ever since. The area where they live is encircled by farms and sawmills, whose almost inevitable expansion is taking place through violent means.
The film sheds light on the tragedy befalling indigenous Amazon people: the systematic violence used against them is a constant menacing presence. Despite the impressive resilience and tenacity of the last of the Piripkura, an inevitable question hangs in the air: how long can it last?
Winner of the Amsterdam Human Rights Award at IDFA 2017.
Brazil Unfiltered comes back from 1 to 31 October with a special curation of documentary films to contextualise the presidential elections taking place in Brazil this month. Centred around territorial struggles and the frontlines of resistance, the programme starts with a masterpiece from the late Eduardo Coutinho, followed by a bonus screening, a sequence of 3 films set in the Amazon, and a closure event + screening about climate resilience and ecological farming.
Zaterdag 24 oktober, 20:30
SEX POSITIVE
Kissable Screens
Looking Back – by Porn Film Festival Amsterdam
Various | 107’ | EN subtitles
EN This film block was screened at Porn Film Festival Amsterdam, earlier this year.
For a long time, the only places you could watch porn were small, not-too-obvious venues, and usually under the shadow of censorship and the constant threat of closure. Through archival footage and first-hand recollections, we revisit some of these sites: Theatro Gil Vicente in Barcelos, the Mineshaft in Marseille, Bada theatre in Seoul. We also meet Lynnee Breedlove, who spearheaded Homobiles, a queer cab service in San Francisco, and Luz Emilia García, one of the precursors of porn cinema in Colombia. We look back to cherish the oft-forgotten treasures of those who broke ground way before us.
The screening is a fundraiser for a nascent space for pornography and community in Cali, Colombia.
TGX | André Senra Azevedo | 2025 | Portugal | 8’
After the Carnation Revolution, Portugal became a democracy and opened itself to the world. One of its consequences was the spread of erotic and pornographic films. This documentary tells the story of how these films arrived at Theatro Gil Vicente, an emblematic cultural venue of Barcelos.
Les fantômes du hard | Lazare Lazarus | 2025 | France | 28’
In August 2022, squatters in Marseille stumble upon a treasure: the archives of the founder of France’s first hardcore BDSM club, the Mineshaft, which opened in 1967. What follows is an investigation to trace history through these archives, piece together a forgotten story, and attempt to build a lineage, a dialogue with his ghost.
The film explores how we might build lines of kinship and continuity with the queer generations that came before us. Central to the film is a meditation on memory, absence, and the intergenerational threads that shape queer existence. The film is made from the archives of the Mineshaft’s founder, preserved at Mémoire des Sexualités, a queer archive center based in Marseille: digitized VHS tapes, intimate photographs, lovers’ letters, objects…
Backseat | Rae Threat, Jiz Lee, Robin Astera | 2025 | Germany, UK, US | 6’
A short porn drive through the streets of Berlin navigates trans masculine desire and queer liberation. The video is an homage to Homobiles queer cab service spearheaded by Lynnee Breedlove, the 1980's safer sex PSAs from Gay Men's Health Crisis such as “Car Service” taxi porn, and the dream of a world that is safe to travel freely.
Paradise | Minki Hong | 2023 | South Korea | 30’
A fabulous storyteller presents a fascinating tale from yesteryear. A cast of friendly objects joins the storyteller, wandering through the theater while remembering days past when the space used to be filled with gay theater-goers. Their stories revolve around the cruising culture of second-run movie houses in Seoul but also expand to include their memories of gay bars in the Jongro neighborhood, offering a vivid depiction of the early years of South Korean queer culture during the 1970s and 1980s, which until now has been lost to history.
The Night of the Minotaur | Juliana Zuluaga Montoya | 2023 | Colombia | 11’
People wonder where birds go to die. My grandmother’s village had a lighthouse nestled among the mountains, a forest teeming with creatures, and an echo that resonated at night like a warm breeze. That was where the birds went to die. La noche del minotauro is a fantastic tale that draws on archival material to reconstruct the story of Luz Emilia García, a pioneer of Colombian pornographic cinema.
Donderdag 29 oktober, 20:30
CONTEMPORARY
Final Girls Berlin Film Fest – Best of 2026 shorts
Various | 2025 | various | 107’ | EN subtitles
NL De beste korte films van het Final Girls Berlin Film Festival, een leuke nieuwe samenwerking voor Filmhuis Cavia met een speciaal evenement vlak voor Halloween! Final Girls Berlin presenteert horrorfilms geregisseerd, geschreven of geproduceerd door vrouwen, trans personen en non-binaire filmmakers. MEER→
EN The best short films from the Final Girls Berlin Film Festival, an exciting new collaboration for Filmhuis Cavia at a special almost-Halloween event! Final Girls Berlin showcases horror cinema that's directed, written, or produced by women, trans, and non-binary filmmakers. MORE→
Vrijdag 30 oktober, 20:30
CLASSIC
Les Feuilles Mortes
L'Amour à la Mer
Guy Gilles | 1965 | France | 73’ | EN subtitles
NL Een jonge Parijse vrouw wordt verliefd op een matroos die ze tijdens haar vakantie ontmoet. De zomer brengt hen samen, de herfst voert hen ieder een andere kant op. Hij keert terug naar Brest, zij naar Parijs. Ze blijven elkaar schrijven terwijl ze ieder hun eigen leven leiden. Liederen, foto’s, flashbacks en collages vloeien door de film en laten heden en verleden, herinnering en geleefde ervaring voortdurend in elkaar overlopen. Terwijl hun relatie langzaam vervaagt, belichamen de geliefden die door de film blijven dwalen zowel een gevoel van verlatenheid als de mogelijkheid van een ander leven.
Het speelfilmdebuut van de eigenzinnige en ten onrechte ondergewaardeerde Guy Gilles, met korte optredens van Alain Delon, Jean-Pierre Léaud, Juliette Gréco en Jean-Claude Brialy.
De overgang van zomer naar herfst is al sinds jaar en dag een poëtisch symbool van verandering. Misschien noemen de Fransen het daarom wel ‘Les Feuilles Mortes’. Een liefde die vervaagt, een verlangen, de angst om te vergeten, een afscheid van wat vertrouwd was. Alles verandert en neemt een andere vorm aan.
EN A young Parisian woman falls in love with a sailor she meets on holiday. Summer brings them together, autumn takes them in different directions. He returns to Brest, she to Paris, hoping for the chance to see him again. They continue writing while living separate lives. Chansons, photographs, flashbacks, and collages drift through the film, allowing past and present, memory and lived experience to constantly overlap. As the relationship begins to fade, the figures left wandering through the film embody both a sense of desolation and the possibility of another life.
The debut feature of the singular and unjustly overlooked Guy Gilles, with brief appearances by Alain Delon, Jean-Pierre Léaud, Juliette Gréco and Jean-Claude Brialy.
The transition from summer to autumn has long been a poetic symbol of change. Perhaps this is why the French call it 'Les Feuilles Mortes'. A love fading, an aspiration, the fear of forgetting, a goodbye to what was familiar. Everything transforms, taking on another form.
Zaterdag 31 oktober, 17:30
DOCU
Brazil Unfiltered
Closing event: Food, Community & Ecological Resistance
Workshops + dinner + film screening + Q&A
NL Kom ter afsluiting van de tweede editie van Brazil Unfiltered naar deze speciale avond met workshops, een gezamenlijke maaltijd, een filmvertoning en een inspirerende lezing over voedsel, gemeenschap en ecologisch verzet, in samenwerking met de filmmaker en leden van het stadslandbouw collectief Cityplot. MEER→
EN To close the second edition of Brazil Unfiltered, join us for this special evening of workshops, a shared meal, a film screening and an inspiring talk around food, community and ecological resistance with the filmmaker and members of the urban farming collective Cityplot. MORE→
Brazil Unfiltered comes back from 1 to 31 October with a special curation of documentary films to contextualise the presidential elections taking place in Brazil this month. Centred around territorial struggles and the frontlines of resistance, the programme starts with a masterpiece from the late Eduardo Coutinho, followed by a bonus screening, a sequence of 3 films set in the Amazon, and a closure event + screening about climate resilience and ecological farming.